
Wednesday, December 24, 2008
Merry Christmas, pardners!

Tuesday, December 23, 2008
'Tis the season
Just to get you in the right spirit for last-minute gift shopping, here's Country star Alan Jackson singing "Let It Be Christmas."
Friday, December 19, 2008
The Black West: Buffalo Soldiers, Black Cowboys and Untold Stories
Billed as the largest exhibition of its kind ever assembled to showcase Western art by African-American artists, The Black West: Buffalo Soldiers, Black Cowboys and Untold Stories will open Saturday, Dec. 20, and remain on display through March 22, 2009 at the Booth Western Art Museum in Cartersville, Georgia.
Friday, December 12, 2008
Golden boy
Thursday, December 4, 2008
More Grammy nods for Trisha Yearwood
Congratulations to Trisha Yearwood -- our January 2008 cover gal -- for her latest batch of Grammy Award nominations: Female Country Vocal Performance ("This is Me You're Talking To"), Country Collaboration With Vocals ("Let the Wind Chase You," with Keith Urban), and Country Album ("Heaven, Heartache and the Power of Love"). Bravo, and good luck. You can see a complete list of this year's Grammy nominations here. Winners will be announced Feb. 8.
Wednesday, November 26, 2008
Wednesday, November 19, 2008
Sexiest Cowboy Alive

Labels:
Hugh Jackman,
People magazine,
Sexiest Man Alive
Tuesday, November 18, 2008
All the wild horses
From the Salt Lake Tribune: The U.S. Bureau of Land Management is struggling to pay for the upkeep of 30,000 wild horses and burros in captivity, and hasn't figured out how to deal with the animals in Utah and across the West. The Government Accountability Office, noting the $21 million spent last year to tend to the wild horses on and off the range, says BLM, to live up to federal law, must start culling the herds through euthanasia, adoption or sale to protect rangelands from overgrazing.
But this story may have a happy ending, according to The Washington Post: Madeleine Pickens, wife of billionaire T. Boone Pickens, has made known her intentions to adopt most or all of the horses and burros now kept in federal holding pens.
But this story may have a happy ending, according to The Washington Post: Madeleine Pickens, wife of billionaire T. Boone Pickens, has made known her intentions to adopt most or all of the horses and burros now kept in federal holding pens.
Monday, November 17, 2008
Kevin Costner: Making music with Modern West

Thursday, November 13, 2008
Speaking of USA Today... and Nicole Kidman....

The Oscar-winning actress (and wife of Country superstar Keith Urban) talks about Australia. Money quote: "I wanted to make a film for my country. We wanted it to be an Australian Gone With the Wind."
Stars shine at CMA awards show

Wednesday, November 12, 2008
Tonight's the night

Australia earns Oprah's seal of approval
Monday, October 27, 2008
R.I.P:Tony Hillerman (1925-2008)

Monday, October 20, 2008
The Good, The Bad and the Weird

Tuesday, October 7, 2008
"Locket & Key"
The music of Donna the Buffalo has been labeled as alternative-country, Americana, folk-rock -- and a dozen or so other things. But the group is more than plain ol' country enough for Great American Country. Which is why this video for their terrific new single, "Locket & Key," is set to debut Friday (Oct. 10) on GAC's Edge of Country program. But wait, there's more: The more the video is requested, the more GAC will play it. If you like it, you can visit here and ask for more.
Monday, October 6, 2008
Willie Nelson in 3-D

Seven things you may not know about "The Magnificent Seven"
Robert Vaughn tells tales and shares secrets throughout A Fortunate Life, his sharply observed and self-deprecatingly witty autobiography. But we were especially intrigued by those parts of the book -- newly issued in paperback -- that focus on The Magnificent Seven, the classic 1960 Western -- based on Akira Kuroswa's Seven Samurai (1954) -- in which the actor appeared as a self-doubting gunslinger alongside co-stars Yul Brynner, Steve McQueen, James Coburn, Charles Bronson, Horst Buchholz -- and Brad Dexter.
Yes, Brad Dexter. Not Eli Wallach.
As Vaughn notes in his autobiography, Dexter "is the 'Bashful' of The Magnificent Seven -- the actor in the group who most people fail to name, just as most people forget Bashful when naming the Seven Dwarfs. Many movie buffs will mention Eli Wallach as one of the Seven, which is wrong. He was great in the picture as Calvera, the leader of the bandit gang that is terrorizing the Mexican villagers we come to rescue."
Six other choice nuggets to savor in A Fortunate Life:
THIS GROUP OF SEVEN WAS A HAPPY ACCIDENT. Long before taking the reins of The Magnificent Seven, filmmaker John Sturges earned his spurs as a director of Grade-A Westerns with Gunfight at the O.K. Corral, Last Train from Gun Hill and The Law and Jake Wade. But during the production process for this film, he had to race against the clock: The Screen Actors Guild had called a strike to start in Spring 1960. Vaughn writes that when he showed up at Sturges' office for his audition, on a morning in January, “an ax was hanging over every movie project in Hollywood. Unless the casting for a picture was completed by noon on a particular Friday, production couldn’t begin.” The good news: Sturges had already more or less decided to cast Vaughn on the basis of the actor's Oscar-nominated supporting performance in The Young Philadelphians. The bad news: At that point, Sturges had commitments from only two other actors, Brynner and McQueen. And the clock was ticking.
Sturges told Vaughn: “We don’t have a script, just Kurosawa’s picture to work from. You’ll have to go on faith. But we’ll be filming in Cuernavaca. Never been there? You’ll love it — it’s the Palm Springs of Mexico.” Vaughn told Sturges: "I'm in." Sturges told Vaughn: "Good decision, young man. And do you know any other good young actors? I’ve got four other slots to fill.” As it turned out, Vaughn did indeed know at least one likely candidate: James Coburn, a friend and former classmate who had attracted attention one year earlier in a supporting role opposite Randolph Scott and future Bonanza star Pernell Roberts in Budd Boetticher’s Ride Lonesome. The other three? Sturges managed to round them up on his own.
WHEN YOU'VE GOT TO GO, YOU'VE GOT TO GO. Vaughn discovered fairly quickly after filming began that there was a downside to filming on location in Mexico. He might have passed on the film, he wrote, "[i]f I'd known that I would be spending my three months in Cuernavaca with a stomach-churning case of the Aztec two-step."
THEY MADE IT UP AS THEY WENT ALONG. "There were long periods," Vaughn recalls, "when we didn't work because the script was still being written. We'd be told one evening, 'Tomorrow we'll be doing scene so-and-so.' and that night carbon copies of the script on onion-skin paper would be slid under our doors to learn for the next day."
PISTOL ENVY. Throughout the production, Vaughn writes, Steve McQueen "always was intensely competitive, even to the point of being paranoid." He was convinced that Yul Brynner was pulling every nasty trick in the book to steal scenes, and often complained to Vaughn about what he felt were Brynner's underhanded attempts to upstage him. At one point, he actually went ballistic -- figuratively speaking, of course -- about Byrnner's choice of weaponry. The gun "has a bleeping pearl handle for God's sake," McQueen ranted. "He shouldn't have a gun like that. It's too bleeping fancy. Nobody's gonna look at anything else with that goddamn gun in the picture." Notes Vaughn: "Of course, Steve meant that nobody would be looking at Steve McQueen."
NO SMALL PARTS. "It's a sobering thought," Vaughn writes, "to realize I'm the last of the Seven still alive." On the brighter side, however, "Eli is still going strong." Ironically, though, Eli Wallach very nearly turned down the role of Calvera, the bandit chief whose repeated raids on a remote village lead the villagers to hire The Magnificent Seven in the first place. As he recalls in his own autobiography -- The Good, The Bad, and Me: In My Anecdotage, also available in paperback -- Wallach was still best known as a New York stage actor, despite his showy turn in Eli Kazan's controversial Baby Doll (1956). He knew full well that exposure in a major Hollywood movie could help his career. At first, however, Wallach was concerned about the relative scarcity of his screen time. He accepted the part only after he realized how he could make every minute count. “After rereading the script,” Wallach writes, “I realized that even though I only appeared in the first few minutes of the film, the natives spoke about my return for the next forty-five minutes – ‘Calvera’s coming.’ ‘When is he coming back?’ – so, I decided to do the part.”
YOU NEVER CAN TELL. After filming wrapped in Cuernavaca, Vaughn admits, "I was convinced that The Magnificent Seven would be a failure. Instead, of course, it became a box-office hit, a star-making vehicle for several in the cast, including Steve McQueen, James Coburn, and Charles Bronson, and a classic Western drama still enjoyed today almost half a century after it was made. It's the second-most frequnetly played movie on American TV (trailing only Casablanca).
"So what the hell do I know?"
Yes, Brad Dexter. Not Eli Wallach.
As Vaughn notes in his autobiography, Dexter "is the 'Bashful' of The Magnificent Seven -- the actor in the group who most people fail to name, just as most people forget Bashful when naming the Seven Dwarfs. Many movie buffs will mention Eli Wallach as one of the Seven, which is wrong. He was great in the picture as Calvera, the leader of the bandit gang that is terrorizing the Mexican villagers we come to rescue."
Six other choice nuggets to savor in A Fortunate Life:
THIS GROUP OF SEVEN WAS A HAPPY ACCIDENT. Long before taking the reins of The Magnificent Seven, filmmaker John Sturges earned his spurs as a director of Grade-A Westerns with Gunfight at the O.K. Corral, Last Train from Gun Hill and The Law and Jake Wade. But during the production process for this film, he had to race against the clock: The Screen Actors Guild had called a strike to start in Spring 1960. Vaughn writes that when he showed up at Sturges' office for his audition, on a morning in January, “an ax was hanging over every movie project in Hollywood. Unless the casting for a picture was completed by noon on a particular Friday, production couldn’t begin.” The good news: Sturges had already more or less decided to cast Vaughn on the basis of the actor's Oscar-nominated supporting performance in The Young Philadelphians. The bad news: At that point, Sturges had commitments from only two other actors, Brynner and McQueen. And the clock was ticking.
Sturges told Vaughn: “We don’t have a script, just Kurosawa’s picture to work from. You’ll have to go on faith. But we’ll be filming in Cuernavaca. Never been there? You’ll love it — it’s the Palm Springs of Mexico.” Vaughn told Sturges: "I'm in." Sturges told Vaughn: "Good decision, young man. And do you know any other good young actors? I’ve got four other slots to fill.” As it turned out, Vaughn did indeed know at least one likely candidate: James Coburn, a friend and former classmate who had attracted attention one year earlier in a supporting role opposite Randolph Scott and future Bonanza star Pernell Roberts in Budd Boetticher’s Ride Lonesome. The other three? Sturges managed to round them up on his own.
WHEN YOU'VE GOT TO GO, YOU'VE GOT TO GO. Vaughn discovered fairly quickly after filming began that there was a downside to filming on location in Mexico. He might have passed on the film, he wrote, "[i]f I'd known that I would be spending my three months in Cuernavaca with a stomach-churning case of the Aztec two-step."
THEY MADE IT UP AS THEY WENT ALONG. "There were long periods," Vaughn recalls, "when we didn't work because the script was still being written. We'd be told one evening, 'Tomorrow we'll be doing scene so-and-so.' and that night carbon copies of the script on onion-skin paper would be slid under our doors to learn for the next day."
PISTOL ENVY. Throughout the production, Vaughn writes, Steve McQueen "always was intensely competitive, even to the point of being paranoid." He was convinced that Yul Brynner was pulling every nasty trick in the book to steal scenes, and often complained to Vaughn about what he felt were Brynner's underhanded attempts to upstage him. At one point, he actually went ballistic -- figuratively speaking, of course -- about Byrnner's choice of weaponry. The gun "has a bleeping pearl handle for God's sake," McQueen ranted. "He shouldn't have a gun like that. It's too bleeping fancy. Nobody's gonna look at anything else with that goddamn gun in the picture." Notes Vaughn: "Of course, Steve meant that nobody would be looking at Steve McQueen."
NO SMALL PARTS. "It's a sobering thought," Vaughn writes, "to realize I'm the last of the Seven still alive." On the brighter side, however, "Eli is still going strong." Ironically, though, Eli Wallach very nearly turned down the role of Calvera, the bandit chief whose repeated raids on a remote village lead the villagers to hire The Magnificent Seven in the first place. As he recalls in his own autobiography -- The Good, The Bad, and Me: In My Anecdotage, also available in paperback -- Wallach was still best known as a New York stage actor, despite his showy turn in Eli Kazan's controversial Baby Doll (1956). He knew full well that exposure in a major Hollywood movie could help his career. At first, however, Wallach was concerned about the relative scarcity of his screen time. He accepted the part only after he realized how he could make every minute count. “After rereading the script,” Wallach writes, “I realized that even though I only appeared in the first few minutes of the film, the natives spoke about my return for the next forty-five minutes – ‘Calvera’s coming.’ ‘When is he coming back?’ – so, I decided to do the part.”
YOU NEVER CAN TELL. After filming wrapped in Cuernavaca, Vaughn admits, "I was convinced that The Magnificent Seven would be a failure. Instead, of course, it became a box-office hit, a star-making vehicle for several in the cast, including Steve McQueen, James Coburn, and Charles Bronson, and a classic Western drama still enjoyed today almost half a century after it was made. It's the second-most frequnetly played movie on American TV (trailing only Casablanca).
"So what the hell do I know?"
Friday, October 3, 2008
Bluegrass champs

Redford remembers Newman

Saturday, September 27, 2008
R.I.P.: Paul Newman (1925-2008)

HUD (1963) – As an anti-heroic heel in Martin Ritt’s anti-Western, Newman is a smolderingly sexy hunk who defies his tradition-bound father (Melvyn Douglas) and disillusions his admiring nephew (Brandon de Wilde) while selfishly looking out for No. 1.
HARPER (1966) -- Newman's self-assured star power has seldom been showcased as effectively as it is in this slick private-eye drama based on Ross Macdonald's The Moving Target. As Lew Harper (the detective known as Lew Archer in Macdonald's great series of crime novels), Newman cracks wise and dodges bullets with all the cynical élan of a classic movie shamus. (A somewhat lesser sequel, 1976’s The Downing Pool, is not without its charms.)
COOL HAND LUKE (1967) -- This is the one that solidified Newman's status as a pop-culture icon of the 1960s. As a rebellious chain-gang prisoner who destroys himself while becoming a legend in the eyes of other inmates (including Dennis Hopper, Harry Dean Stanton and Oscar-winner George Kennedy), he combines anarchy, nobility and plain old cussedness in just the right measures. Little wonder that a frustrated warden (the late, great Strother Martin) complains: ''What we got here is failure to communicate!”
BUTCH CASSIDY AND THE SUNDANCE KID (1969) -- Newman and Robert Redford make the best pair of big-screen buddies since Clark Gable and Spencer Tracy in this tongue-in-cheeky Western written by William Goldman (who also scripted Harper) and directed by George Roy Hill (who would later guide Newman and Redford through the stylish con-artistry of The Sting).
SLAP SHOT (1977) – Rude and crude with apologies to no one, George Roy Hill’s profanely funny comedy about the misadventures of a third-rate, bush-league hockey team remains a much-quoted favorite of sports-talk radio hosts everywhere. Look beyond the surface hilarity, however, and you’ll better appreciate Newman’s risky and frisky performance as a middle-aged player-coach whose desperation mounts as he become increasingly aware that he won’t have much left when he hangs up his skates.
THE VERDICT (1982) -- Sidney Lumet directed, and David Mamet wrote, this brooding courtroom drama about a malpractice case that brings out the best in an unlikely hero. Newman's masterful portrayal of a boozy, burnt-out lawyer who gets a shot at redemption ranks with his finest work as an actor.
BLAZE (1989) -- Written and directed by Ron Shelton, who also gave us the equally robust Bull Durham, Blaze is a riotously funny and rigorously earthy romantic comedy about life, love and the pursuit of political mandates. Newman gives a big, boldly flamboyant performance as Earl K. Long, the three-term Louisiana governor who infamously romanced Blaze Starr (Lolita Davidovich), a spectacularly endowed Bourbon Street stripper known affectionately as ''Miss Spontaneous Combustion.''
NOBODY’S FOOL (1995) – Everyone has a favorite Paul Newman performance. But if you’re going to choose his very best performance, you’ll be hard-pressed to name one better than his Oscar-nominated turn in this quietly superb comedy-drama from writer-director Robert Benton (Places in the Heart). Based on the well-received novel by Richard Russo, Nobody's Fool is the story of Sully (Newman), an aimless and amiably impoverished construction worker with a banged-up knee, a who-cares attitude and a scolding landlady named Miss Beryl (Jessica Tandy). At age 60, however, Sully finds himself, much to his amazement, on the verge of finally becoming a responsible adult. Like just about everything else in his life, it just happens, without warning, and Sully has to deal with it.
Thursday, September 25, 2008
From Captain Jack to Kimosabe
Johnny Depp -- whose maternal grandfather, not incidentally, was Cherokee -- has signed on to play Tonto in producer Jerry Bruckheimer's new version of The Lone Ranger. No word yet, however, on who'll be wearing the black mask and shooting the silver bullets.
Tuesday, September 2, 2008
R.I.P.: Jerry Reed (1937-2008)

Thursday, August 28, 2008
If you like Spaghetti Westerns...

Maybe you'll enjoy the first-ever "Kimchi Western" -- Kim Jee-woon's The Good, The Bad and The Weird, an epic South Korean production described by one critic as a wild and woolly mix "of Sergio Leone’s Spaghetti Westerns, George Miller’s apocalyptic road movies and a frantic brand of comedy that’s quintessentially Korean..." It won't open until 2009 in the USA, but it's a gala presentation at this year's prestigious Toronto International Film Festival. So I hope to give you a report after I catch a TIFF screening next week. In the meantime, here is what the original South Korean trailer looks like.
Live from Sam Houston State University: The Gillette Brothers!

Monday, August 18, 2008
Medicine men and medical miracles
From USA Today: At Banner Page Hospital in northern Arizona, traditional Navajo healing is merging with modern medicine.
He's still ready for some football

Saturday, August 16, 2008
Galloping soon to a theater near you

Monday, August 11, 2008
Re-enacting the Wild West

Wild West Creations founder Frank Murcek and his gang of Western-clad gunmen aim to make history come to life for fun and profit.
Monday, July 14, 2008
Girls rock!

Take her out to the ball game

Tuesday, July 8, 2008
A week on the range
From the Los Angeles Times: A vaquero's grandson tests his wrangler genes at a dude ranch that promises an "authentic" cowboy experience.
Country comes to Malibu

Not so hot to trot
From The Houston Chronicle, bad news about horse sales:
"I've seen it rough before, but I don't ever think I've ever seen it this bad," said Mark Riley, who has worked as an auctioneer for three decades. "To most people, horses are a hobby or a plaything or a toy. When the economy gets tough, the plaything is the first thing to go."
"I've seen it rough before, but I don't ever think I've ever seen it this bad," said Mark Riley, who has worked as an auctioneer for three decades. "To most people, horses are a hobby or a plaything or a toy. When the economy gets tough, the plaything is the first thing to go."
Monday, July 7, 2008
Proud parents

Thursday, July 3, 2008
Tuesday, July 1, 2008
Meanwhile, back at the Hallmark
The Hallmark Channel promises an entire month of rip-snorting, straight-shooting Westerns -- everything from Two Rode Together and Ride Lonesome to Bite the Bullet and Seraphim Falls -- throughout July. Of special note are two world premieres: A Gunfighter's Pledge (July 5) and Every Second Counts (July 12).
Maverick marathon

Sunday, June 29, 2008
Western wildlife
From the Associated Press: "Governors from several Western states voted Sunday to form a council that will study ways to protect wildlife habitats in the face of ever-increasing demand for energy development in their region."
Thursday, June 26, 2008
Wild West Fest

Czech out these cowboys
They're shooting straight and riding tall at the Cowboy Action Shooting event in... well, would you believe the Czech Republic?
Wednesday, June 25, 2008
Coming soon to a theater near you: Appaloosa

Monday, June 23, 2008
Viewer alert: Jewel on Great American Country

But wait, there's more: During the program, Jewel will perform acoustic versions of cuts from her top-selling country album, Perfectly Clear, and talk about the strong family influences in her music.
"At the heart of it all,” Jewel says, “ I’m the daughter of pioneers and homesteaders. I was raised on a remote ranch in Alaska, and grew up listening to my father’s cowboy music and songwriting by campfire during our summer cattle drives. That lifestyle became the foundation to everything I’ve achieved in my life since -- and I’ve exceeded every expectation I’ve ever had for myself. It’s such an honor to be able to make a living writing and singing the music that I love. I still work every day to maintain the things I care about and to uphold the proud pioneer spirit of my family.”
Westerns get the White House vote

Arthur Penn goes West

Tuesday, June 17, 2008
Shane: No. 1 with a bullet

2. High Noon
7. Red River
8. Tombstone
10. Open Range
"It's not the Top 10 I would come up with," says incoming WWA president Johnny D. Boggs, "but that's the fun of lists like these. It prompts lively debate, and members of Western Writers of America can be as passionate about Western film as they are about literature of the West."
In any event: Congratulations to Kevin Costner for making the final cut with both Dances With Wolves and Open Range -- here is a link to a 2003 Cowboys & Indians interview in which he talks about his high regard for Westerns -- and thanks to WWA for also listing what might be described as 90 runners-up.
Monday, June 16, 2008
From Iron Man to shootin' irons for Robert Downey Jr.?

Update, June 17: Evidently, some folks aren't too happy about the "allegorical" content of this "liberal Hollywood" movie. They're also unhappy about the "blatant foolishness" of the equally offensive Tombstone. No kidding.
Labels:
"Cowboys and Aliens",
"Iron Man",
Robert Downey Jr.
Tuesday, June 10, 2008
Tuesday, May 27, 2008
A journey from Old Europe to the New West

A double dose of Nashville Star
NBC has signed a deal with the Country Music Television cable network allowing CMT to repeat -- er, excuse me, I mean repurpose -- episodes of Nashville Star four days after their broadcast premieres. Nashville Star -- formerly a mainstay at the USA Network -- returns for its sixth season June 9 on NBC, with Billy Ray Cyrus as host.
Friday, May 23, 2008
Readin' and writin' and... ridin'?
Obviously, Tennessee school officials have zero tolerance for students who try to horse around before graduation.
Monday, May 19, 2008
Next stop: Australia

Friday, May 16, 2008
R.I.P.: Oakley Hall (1920-2008)
From The New York Times: "Oakley Hall, the author of the novels Warlock and The Downhill Racers and a literary heir to fellow California writers like Wallace Stegner, died Monday at his home in Nevada City, Calif. He was 87 and lived in Nevada City, Squaw Valley and San Francisco... Mr. Hall, who began his career writing tightly constructed mystery novels, produced a steady stream of works, most set in the American West, of which the best known is Warlock (1958), a fictional reimagining of the gunfight at the O.K. Corral. Called 'one of our best American novels' in a Holiday magazine review by Thomas Pynchon, it was made into a film of the same name with Richard Widmark and Henry Fonda." There's more on Hall here and here.
Thank you, C&I readers!

James Stewart centennial

Tuesday, May 13, 2008
Curious about curios?
After the 1880 arrival of the railroad in New Mexico, Pueblo and Navajo artisans collaborated with non-Indian dealers to invent artifacts that had no purpose but to satisfy the demand for Indian goods. From its inception, the curio trade comprised cottage industries, retail spaces -- and a vast mail-order business. The rich, complex and controversial story of this phenomenon will be told in From the Railroad to Route 66: The Native American Curio Trade in New Mexico, an exhibit scheduled for display from Sunday, May 18, until April 19, 2009 at the Wheelwright Museum of the American Indian in Santa Fe.
Monday, May 12, 2008
The mystery of the Arapaho photos
According to the Evening News of Edinburgh, Scotland, long-lost photographs of Native Americans have been uncovered in a file cabinet in the Charlotte Square headquarters of the Edinburgh World Heritage Trust. And thanks to the interest of an Edinburgh archivist who stumbled upon the pictures -- taken in 1921 -- and then pursued the matter rather than let it drop, 7,000 Arapaho people who live on the Wind River Reservation are reclaiming this part of their heritage for themselves
Thursday, May 8, 2008
Legacy Art Albuquerque
Lou Diamond Phillips, James Avery and Holly Dunn are among the notables expected to be on hand for the eighth annual Legacy Art Albuquerque charity art auction Saturday, May 10, at the Sandia Resort and Casino in Albuquerque, N.M. This year's featured artist is the acclaimed CJ Wells. As always, all proceeds from the event go to Albuquerque's St. Pius X High School, and the Amando and J.B. Peña “Art Has Heart” educational foundation.
R.I.P.: Eddy Arnold (1918-2008)

Monday, May 5, 2008
They fought the lawyer, and the lawyer won
From the ABA Journal: In the aftermath of a 1869 heist in Daviess County, Mo., Jesse and Frank James stole a getaway horse from a wealthy local farmer. Unfortunately for the brothers, the farmer had a really good lawyer...
Return of The Big Trail

Coming soon to a computer near you

As the on-line intro explains: "In Wild West Online: Gunfighter, you will take on the role of gunslinger in the 19th Century American West. Your calling: To make your way across the country forging a name for yourself at the expense of every two-bit hayseed and cocksure tinhorn in your path. A bright flash, a sharp report... a cloud of acrid smoke. Then it’s on to the next town, the next territory and a new challenger anxious to test their mettle. But lest you get too big for your britches, be forewarned: ahead of you famous gunfighters from history lie in wait, ready to push your skills to the edge — or beyond."
Eager gunslingers can create a free account and try their skills here.
Thursday, May 1, 2008
How the West was restored

Monday, April 28, 2008
Oh, Miley!

Preserving a Wild West relic
From the San Francisco Examiner: A Las Vegas entrepreneur has grand plans to restore a Wild West saloon in the wilds of Goodsprings, Nevada.
Tuesday, March 4, 2008
Chesney's 11

Labels:
Big and Rich,
Brad Paisley,
Kenny Chesney,
Miranda Lambert,
Sugarland
Kevin Fowler: At the rodeo, on the tube

Subscribe to:
Posts (Atom)